Swedish House Mafia & The Weekend, ‘Moth to a Flame’, graded by Daniel Levy at Rascal Post “Thank you to FilmLight. It’s a privilege to be here with all the other nominees, and I look forward to seeing all the …
WINNER in Music Video – Rachel Reis, ‘Lovezinho’ – Ana Escorse
Rachel Reis, ‘Lovezinho’, graded by Ana Escorse at Studio Feather “I’m grateful to be able to share a Brazilian project made by a group of talented people, and that the trust and collaboration of that process resonated in my work. …
Nominee in Music Video – Ásgeir, ‘Snowblind’ – Marina Starke (including a video interview)
Ásgeir, ‘Snowblind’, graded by Marina Starke “I feel absolutely honoured to be nominated for two projects in this year’s awards – both with a dystopian atmosphere, but with very different looks. Thank you FilmLight for recognizing the art of colour …
Nominee in Music Video – Alaskan Tapes, ‘Wake’ – Clinton Homuth (including a video interview)
Alaskan Tapes, ‘Wake’, graded by Clinton Homuth at Artjail “I’m honoured that ‘Wake’ has been shortlisted. This was a very special project for everyone involved. Protecting the photographic intimacy while gently encouraging it towards symbolic representation was the most rewarding …
Nominee in Commercial – Stonewall, ‘Proud Mistletoe’ – Peter Oppersdorff
Stonewall, ‘Proud Mistletoe’, graded by Peter Oppersdorff at The Mill “I’m very proud of my work on this very important campaign. Thank you to the judges for the nomination and congratulations to all the other nominees. ” Peter Oppersdorff
Nominee in Commercial – Schweppes, ‘Let’s Schweppes’ – Manuel Portschy
Schweppes, ‘Let’s Schweppes’, graded by Manuel Portschy “The Schweppes film is all about good vibes and energy. We translated that into a modern palette with rich colours and texture that stays true throughout to Jann’s beautiful cinematography and the brand-specific …
WINNER in Commercial – ROM, ‘IMMORTAL’ – Wade Odlum (including a video interview)
ROM, ‘IMMORTAL’, graded by Wade Odlum at alter ego “Making this commercial feel like it was shot underwater when almost all of it was shot in a studio was quite a challenge. Whether it was dust particles, light rays, flares, …
Nominee in Commercial – Porsche, Jürgen Aigner, ‘One of Us’ – Toby Tomkins (including a video interview)
Porsche, Jürgen Aigner, ‘One of Us’, graded by Toby Tomkins at CHEAT “I’m absolutely delighted to be amongst such good company in the nominations. It’s fantastic to have our craft recognised by FilmLight at Camerimage. Visiting the festival all those …
Nominee in Commercial – Apple, ‘Data Auction’ – Ondřej Štibingr
Apple, ‘Data Auction’, graded by Ondřej Štibingr at Universal Production Partners (UPP) “It is always great to meet Ivan Zacharias and Jan Velicky on a project. It seems that our relationship has turned into a long-term friendship over time. This …
And the nominees for best colour grading in the Theatrical Feature category are…
And the nominees for best colour grading in the Theatrical Feature category are… Being the Ricardos, graded by Ian Vertovec at Light Iron Dune, graded by David Cole at FotoKem No Time to Die, graded by Matt Wallach at Company …